Clay Chaplin
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Raspberry Rainbow Synth

  • October 30, 2022

Pi Synth

The Raspberry Rainbow Synth is a DIY synthesizer that uses an onboard Raspberry Pi 4 microcomputer, Python 3, and Cycling 74’s RNBO software along with various potentiometers, buttons, and an LCD. The synth uses RNBO patches as the sound source

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Hexopa Series

  • August 27, 2022
Hexopa3-tn-Web

Hexopa (2022) is a series of audio-visual vignettes resulting from experiments with CMOS-inspired audio synthesis and generative video code using Max/MSP and Jitter.

The sounds were created using one bit synthesis adjacent techniques in Max MSP. Coding inspiration came from

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Supercosmic

  • April 27, 2022

Album Notes
Supercosmic is the inaugural release by the computer music collective Bitpanic. All tracks are free improvisations recorded remotely during 2021. Bitpanic members were located in Stockholm, Chicago, and Los Angeles and recorded live online via networked audio software.

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Potential Artifact

  • June 28, 2021

Potential Artifact (2021) is a series of computer-based improvisations using sample manipulation, algorithmic processes, feedback, and randomness as organizing principles. Though rarely recognizable, samples include acoustic instruments, spoken words, field recordings, and computer generated tones.

Album Notes

All tracks are

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Bitpanic

  • July 1, 2020

Bitpanic is a computer music collective based in Los Angeles that explores networked compositional systems, experimental sound practices, and improvisation. The group follows the computer music lineage pioneered by The Hub. Current members are all former students and colleagues of

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Feeney Chaplin Sumner

  • November 17, 2019

Feeney Chaplin Sumner is a trio that makes ambient electroacoustic improvisation. Tim Feeney, Clay Chaplin, and Davy Sumner coax bass shakers, vibrating sheet metal, field recordings, synth tones, and tuning forks into evolving drones, disparate characters, and patient textures.

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CMOS Synthesizers

  • December 6, 2017

In the Spring of 2017 I started researching how to build my own unique and interesting electronic sound-making devices. There are many DIY circuit schematics out there but I was particularly drawn to the CMOS-based circuits for my creative work.

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Wake – 2017

  • July 10, 2017

Wake (2017) is an album based on field recordings that I have collected over the years. A few of the recordings have been creatively treated to modify the soundfield and others are presented in their original form. Each track has

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Thanks Sharon

  • June 25, 2017

THANKS SHARON (2001 – 2004, 2017)

Thanks Sharon is a video improvisation using the sanitized nature of the local evening newscast as source material. The piece examines an aspect of newscasts known as the throw, when one anchor or reporter

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PiAV

  • June 21, 2017

PiAv Cover PhotoPiAv is an audio-visual installation that explores sonic and visual improvisation by exploiting glitches, loss of network connections, and random abnormalities created through pushing the limits of a network of microcomputers. A closed network of ten microcomputers creates a cross-pollinated

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Raspberry Pi Odyssey

  • November 26, 2016

In the Fall of 2013 I started tinkering with Raspberry Pi micro-computers. The Raspberry Pi is a low cost, credit-card sized computer that plugs into a computer monitor or TV, and uses a standard keyboard and mouse. I was and

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Side Effects

  • July 5, 2016

Side Effects (2011-2013) is a series of short audio-visual improvisations that I call digital meditations. Each improvisation utilizes a feedback structure in the software where the audio and video signals influence the abstraction of each other creating an infinite palette

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Megathought

  • July 5, 2016

MegaThought (2008 – 2012)

MegaThought is mainly Clay Chaplin, and Aaron Drake but sometimes includes Lewis Keller, and Phil Stearns depending on when they are in Los Angeles. We make live improvised skronk music together using a combination of …

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The Daily Skronk – 2011

  • June 1, 2011

The Daily Skronk (2011) is a collection of tracks selected from daily improvisations that I recorded from January to April in 2011. Each track was recorded live and the collection is free of edits or additional sonic treatments.

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